Running his swollen knuckle joints along the stubble of a few days' beard, William Peterson allowed his rheumy blue eyes to move over the boys sitting at his feet. Half of them had the same sandy brown hair and sun-baked skin he'd also had at their age, though his grandsons lacked the marks of time. The other half were neighborhood boys and little Tara who tagged along with the two Milton boys everywhere. Taking a swig from the glass bottle propped on his knee, he considered their request. He'd spent many balmy evenings like this when the air was thick with honeysuckle sitting on the front porch with the cicadas' and crickets' orchestrations accompanying his tall tales. Least ways that's what his daughter always called them. She and her siblings had grown out of his stories, but the younger generations often barely believed them at all. Resting the bottle back on the condensation-ring it had formed on the knee of his trousers, he fidgeted a moment, smoothing his light plaid shirt and slapping his neck to dispatch a mosquito drawn to the heat and sweat of the hot summer night's assembly. His eyes ran over the bicycles receding into the dusk where they had been dropped on the lawn by hurrying kids as the sun dipped below the peaks of the distant mountains. A few adults leaned on the railings of the wide veranda, most pretending to busy themselves with whittling or other things, waiting to hear the night's story as eagerly as the children exhausted from their day's play. With a thoughtful harumph, the old man took a deep breath and stared out into the last bruised light of the day.
"When I was mebbe twelve my best friends were Sam Baker and Ripley Keats. Sam was a slight feller, wiry though. Grew up to be a cableman for the 'lectric company that ran the lines out past here, way out into the farms and such, y'know. He was the good one, rest him. Then there was Ripley and no one was mistakin' him for good. Wasn't bad, 'xactly, just y'know... pr'cocious they called him. Well we all took our bicycles out up a ways toward the old Crane Mill. It burned down now, oh, I'd say fifteen years ago. Any way, Sammie'd just got a new bike for his birthday a week or so before and we thought an adventure was the way to go to celebrate. Maiden voyage o' sorts. Snuck out just past midnight and thought we were kings, peddlin' up past Old Man Watkins place without settin' off a single one of those yaptraps he called dogs. Dunno how many times Sheriff Daly went out there for one thing or t'other, but any how... That night was a lot like tonight. Middle of summer, and it was a Dog Summer, heat wave like we'd never seen then and only a couple times since. We rode up to the old mill and left our bikes at the edge of the property. There was a sag in the fence, just enough to lever up and climb on over if you knew where to look, you see - and of course we did, three boys, heh heh. Sammie, we tossed him up over first and I went after, then Ripley came behind last. Now the Crane Mill was huge, and the farmers used to bring all sorts of things in from the surrounding counties to have 'em ground up there. Flour, what have you. Crane even had a gin brought in for a long time that ran, then some of the cotton farmers started buyin' their own. Still there, or so it was then, that old gin. Strangest lookin' contraption. Ain't seen nothin' like it really. Don't use 'em anymore, not out here. Big cities have 'em or the shiny new versions of 'em, I s'pose. But the night we gone up to the old Crane Mill, you know it was strange, from climbing the fence last to the way he went so peaceful like through the mill that night. Still an' quiet was never really Ripley's style. He was al'ays first in, last out and damn the consequences." A few of the parents jerked their heads and his daughter rapped on the kitchen window overlooking the porch with a dish-soaped wrist and a glare that made the old man jump before grinning sheepishly at her and chuckling conspiratorially with the boys who smirked to one another. "I'll never forget what he said to me at the top of that mill though, God's honest. 'I can't lie to you 'bout your chances, but you have my sympathy.' Imagine that, comin' from a twelve-year-old boy. Well, mebbe he was near on thirteen. Ripley was the oldest of us. Yessir right strange, right strange. That's what he said though.
"We had spent mebbe ten minutes looking around the inside of that ol' place. Found nothin' much to write home about on the main floor, just that odd-lookin' cotton gin and the bulk o' the mill itself. Pictures somewhere, maybe in the 'paper office. Bobby Mackey's son runs it now, I think. Mackey was good people. Married Donna Haver's daughter not too long after we went wanderin' in the mill the week Sammie got that bike..." William's gaze unfocused and he sat for a while before one of his grandson's touched his leg and said 'Grampa', causing him to clear his throat with another sip of his drink. "Where was I... Ah, yes, there I was. So! We squeezed in through a little half winda' an' walked around that floor for a while and nothin' all that excitin' happened. Sammie said his older sister, Sarah, had been told by her best friend Anna-beth Crane of the Crane Mill Cranes that the main offices were on the second floor and that her papa could see out all across the workin's o' the mill from way up there. So, we hoofed it up a few flights and peeped in a couple o' doors before we found a gold-letterin' sign for Anna-beth's papa. We let ourselves in and started lookin' about. Mostly just papers, normal office stuff. He did have an intercom, though. You know, one o' them little box setups with the mic that you speak into and broadcasts all across the buildin'. Oooo, yessir, we spooked and rattled ourselves with that, takin' turns callin' out while the other two went runnin' all over. Pro'ly did that twenty or thirty minutes at least before we got tired of it. At least, Sammie and I did. Ripley'd been real quiet for maybe five or six minutes. You know how time is, when you're a kid you don't really pay much attention. So we ran around, looked high and low. Not on the mill floor or any of the offices up on the second. We had just 'bout decided he'd gone on home, but Ripley was braver'n a 'coon and twice as feisty. Not like to leave us there. That's when Sammie remembered Sarah talkin' 'bout the basement.
"We went down there together, one o'them old heavy flashlights between us you know. Steppin' down an' lookin' at each other, heh heh, makin' sure neither o' us wimped out on the other. We'd just gotten about halfway down the first flight of stairs toward the landin' when Sammie nudged m'arm. There sure as shi-" William's daughter caught the corner of his eye with furrowed brows and an unamused look through the kitchen window. "Sure's shootin' there's Ripley standin' on the landin' looking off into the dark. By this time Sammie and I'd got the tingles all up our spine an' were ready to go. I called out to Ripley, and my voice sounded as shaky as my knees, heh heh. He didn't answer me though, no. Just stood there starin'. Strangest thing. Sammie had his fingers diggin' into my arm like I'd disappear if he let go and we took turns callin' Ripley's name and askin' if he was alright, but he didn't answer a one. When we finally worked up our nerve and went down to him, we looked off where he was lookin', but all we saw was black. No lights, no security exit sign, nothin'. Finally I grabs Ripley by the arm an' gave him a shake an' says,'Hey, Ripley, what's wrong with y'buddy?' He looks at me an' says, 'I can't lie to you 'bout your chances, but you have my sympathy.' White as a sheet he was. Strange. Oh, no, my momma didn't raise no da-" His eyes slid to the window and back to the children. "No fool. I got Ripley by one arm and Sammie got him by the other and we started t'pull 'im back up the stairs. BAM!" The children at Grandpa Peterson's feet jumped, as did one of the adults who nearly fell off the porch railing, hand over his heart and a semi-circle of snickering pals jeering at him. "Just like that! BAM! Somethin' sounded like a wrench gettin' thrown and a rumble like... like a whole buildin' shakin' and fallin'. No sir, not this boy, no. We was up and out and over that saggin' fence like a couple o' startled rabbits. Draggin' Ripley the whole way as pale as he'd got a fever. And he had. We cycled like bats outta hell through those streets and we never told nobody where we went or 'bout our little adventure. We'd do our fair share o' sneakin' out through the years, but that one I'll never forget if I live to be as old as Methuselah, though I s'pose that ain't all that likely now.
"Well, any way, we got home and Ripley was cooped up at home a few days, but his momma got him fit as a fiddle again. Boy'd had more chicken soup'n a cannin' factory by the time she's done with him. Always skittish though, about the old mill after that. Never would go near it and we never asked 'im to... Didn't much want to go near it m'self. That's why when he turned eighteen and went to work there we's right su'prised. Took to it though, but he's strange again. Quiet, pale. Lookin' rough. We thought mebbe it was just workin' double shifts. By then the mill'd started talkin' with a development company about the land. Buildin' a factory like what sits out that way now. We didn't know it at the time, but Ripley'd never been workin' double shifts. The night he died, they found 'im alone long after his shift’d ended halfway down the stairs from that same landin' into that same dark basement we’d stood on more’n five years before. He's scratched up somethin' fierce, but they said he was banged up from fallin' over the railin'. Mebbe so... Mebbe. But I just remember seein' him standin' there, twelve years old and jus' half-whisperin' that odd phrase, ’I can't lie to you 'bout your chances, but you have my sympathy.’ Al'ays wondered what 'e meant 'bout that..." The children at his feet were soon ushered away with saucer-wide eyes and threats of phone calls to their own mothers if they didn't get straight home to wash up and get to bed. William's daughter brought him a cup of coffee and said good night, kissing his cheek when he said he'd like to sit a while before turning in for the night. When the house was still, William finally lifted his old bones and set the hot cup of coffee to the side of his worn chair, steps creaking over the old porch as he moved to stand at the top of the stair as though he were drawn. His face was pale and he stood transfixed as the lamp light winked out and the insect chorus went mute.
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